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Photo: ‘Doctor Strange in the Multiverse of Madness’
The Marvel Cinematic Universe has been through a lot. The sheer amount of content is so large that the franchise had to be divided into phases. The first three phases, aptly named Phase 1, 2, and 3, spanning all the way from 2008 to 2019, are collectively known as the Infinity Saga, building upon one another and spinning a web of interconnected plots, moving toward an eventual culmination of over a decade of filmmaking. And, if the audience reactions to ‘Avengers: Infinity War’ or ‘Avengers: Endgame’ are any indication, it paid off.
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But Phase 3, and this the Infinity Sage, is over. Phase 4 brings an era of uncertainty; Where do we go from here? Of course, pandemic delays hindered a strong start and we’ve already had Phase 4 hits like ‘Spider-Man: No Way Home’ and ‘WandaVision’ but the true answer to the question of what now is, well, we don’t really know. But, if the rest of Phase 4 is anything like ‘Doctor Strange in the Multiverse of Madness’, buckle up, folks. We’re in for a wild ride.
Plot Overview: A Wild Web of Realities
Our hero for the film is, of course, Doctor Stephen Strange (Benedict Cumberbatch), a renowned but retired neurosurgeon turned sorcerer. Strange’s powers are near limitless, with his magical abilities bringing him far up the ranks in terms of power. Still, he’s in over his head when America Chavez, a teenager whom we’re meeting for the first time, is being chased by an octopus demon. With help from Wong, the sorcerer supreme, Strange saves America and learns why she’s being attacked; She has the power to travel the multiverse.
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Strange notices signs of witchcraft on the demon and recruits Wanda Maximoff (Elizabeth Olsen), a witch herself, for help. He soon realizes that Wanda is the one who organized the attacks, as she got ahold of the Darkhold (or Book of Sins/ Book of the Damned) and became the Scarlet Witch. Wanda believes that by harnessing America’s powers she will be able to reunite with her children, who do not exist in her current reality. The rest of the film is a whirlwind of sorcery, dimension-hopping, and dealing with the consequences of The Avengers’ actions in previous films.
The World’s Most Powerful Tug of War
Doctor Strange has always been incredibly powerful. He’s the one other heroes call when they’re in over their own super-heads (though, can we really blame Peter Parker for not being able to stomach the multiverse at 17?). His powers come from harnessing magic, he isn’t confined by limits of natural ability or technology. It seemed that nobody would be able to rival Strange one-on-one. Marvel was prepared for this, and through ‘WandaVision’ and other recent works, made sure we knew just how powerful Wanda really is.
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Wanda and Strange are a perfect match for each other. The two are quick thinkers and unreasonably talented in harnessing magic, leading to fast-paced spells and dramatic battles. When we think Strange is finally one step ahead, Wanda appears, powerful as ever. Wanda’s emotional state, coping with complicated layers of loss, is both what holds her back and motivates her. In this aspect, Strange falls behind, but meeting multiverse versions of his ex-fiancee, Christine Palmer (Rachel McAdams), creates a solid enough distraction.
‘Doctor Strange’: The Raimi Cinematic Universe
When the original ‘Doctor Strange’ was being created in 2016 it was determined that Doctor Strange was far too, well, strange, for a fully encompassing origin story. His character in the comic was deemed too weird, so his first film served as the tip of the iceberg for where Doctor Strange can head. So, when it was time for the film’s sequel, ‘Doctor Strange’ director Scott Derrickson was eager to dig into the stranger aspects of the character. He cited a vision of horror sequences, and gothic comic-esque sequences. The film was to crack open the Phase 4 idea of the multiverse and create conflicts for further films and series. However, once the film entered pre-production, Marvel studios and Derrickson announced that, though he’d stay on the film as an executive producer, Derrickson would no longer be directing the film.
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Enter Sam Raimi. Raimi was no stranger to Marvel, famously directing Tobey Maguire’s ‘Spider-Man’ trilogy. Following ‘Spider-Man 3’ Raimi stepped away from the superhero genre and is best known now, not for heroes, but for supernatural films, horror-comedies, and high fantasy works. Raimi pocketed his horror background and brought it with him to the set of ‘Multiverse of Madness’ and it worked. All of it worked.
Bringing the audience from one universe to the next is no easy task. It seems near impossible to maintain viewer immersion as the film can’t seem to stay in one place for too long. The concepts of interdimensional travel are difficult to grasp, let alone experience, but Raimi did it right. The film was at its best when it leaned into the absurdity and high concept world-building. The horror-esque sequences went off without a hitch, even though they were unlike anything we’d seen from Marvel before. Sam Raimi and a 200 million dollar budget is the recipe for an immersive, fantastical experience.
A Film Full of High Points
Of course, the cast was stellar. Xochitl Gomez was a new addition to the cast, only sixteen-years-old and a relatively unseasoned actress, but she didn’t let that stop her from hanging with the big guys. She never looked out of place acting opposite Benedict Cumberbatch or Elizabeth Olsen, even as these actors have been playing their characters for years. If her filmography doesn’t come across as qualified enough, her sheer talent and commitment to the role does.
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Cumberbatch, Olsen, Benedict Wong, and Rachel McAdams, along with a healthy serving of other cameos and characters, were all reprising roles. Their individual talents, as well as experience and chemistry, working together only get better from film to film. They were a pivotal part of making ‘Doctor Strange in the Multiverse of Madness’ the success that it’s becoming.
Cast & Crew:
Cast: Benedict Cumberbatch, Elizabeth Olsen, Xochitl Gomez
Writer: Michael Waldron
Director: Sam Raimi
By Lara Glennon
Click here to read The Hollywood Insider’s CEO Pritan Ambroase’s love letter to Cinema, TV and Media. An excerpt from the love letter: The Hollywood Insider’s CEO/editor-in-chief Pritan Ambroase affirms, “We have the space and time for all your stories, no matter who/what/where you are. Media/Cinema/TV have a responsibility to better the world and The Hollywood Insider will continue to do so. Talent, diversity and authenticity matter in Cinema/TV, media and storytelling. In fact, I reckon that we should announce “talent-diversity-authenticity-storytelling-Cinema-Oscars-Academy-Awards” as synonyms of each other. We show respect to talent and stories regardless of their skin color, race, gender, sexuality, religion, nationality, etc., thus allowing authenticity into this system just by something as simple as accepting and showing respect to the human species’ factual diversity. We become greater just by respecting and appreciating talent in all its shapes, sizes, and forms. Award winners, which includes nominees, must be chosen on the greatness of their talent ALONE.
I am sure I am speaking for a multitude of Cinema lovers all over the world when I speak of the following sentiments that this medium of art has blessed me with. Cinema taught me about our world, at times in English and at times through the beautiful one-inch bar of subtitles. I learned from the stories in the global movies that we are all alike across all borders. Remember that one of the best symbols of many great civilizations and their prosperity has been the art they have left behind. This art can be in the form of paintings, sculptures, architecture, writings, inventions, etc. For our modern society, Cinema happens to be one of them. Cinema is more than just a form of entertainment, it is an integral part of society. I love the world uniting, be it for Cinema, TV. media, art, fashion, sport, etc. Please keep this going full speed.”
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Lara Glennon is an aspiring screenwriter looking to share her love and passion for all things film and television. She aims to use her writing to shine a light on artists who are working to make change, both in media and in the world. The Hollywood Insider’s focus on substance over gossip is perfect for Lara, as she wants to highlight the good in the world and those who create it. She enjoys spending her time creating and consuming art, searching for unique voices and ideas in media.
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Lara Glennon is an aspiring screenwriter looking to share her love and passion for all things film and television. She aims to use her writing to shine a light on artists who are working to make change, both in media and in the world. The Hollywood Insider’s focus on substance over gossip is perfect for Lara, as she wants to highlight the good in the world and those who create it. She enjoys spending her time creating and consuming art, searching for unique voices and ideas in media.
