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Hollywood Insider Groundbreaking Original Films, City Lights, Charlie Chaplin

Photo: ‘City Lights’/United Artists

There are two ways you can classify original films. One way is in terms of concept. Original concepts bring fresh stories and characters to navigate their place in the history of cinema. In times where live-action adaptations, remakes, reboots, and sequels dominate the industry, original films should be praised for bringing something new to the screen.

The other way you can classify original films includes both new and old ideas because the focus is on groundbreaking cinema.

We’ve talked about the writing side of original movies, but the execution is another crucial component of what makes an original film. What makes the medium of film special is the way a story is told. It starts with the writing, but the end result comes from the imagination of all that are involved. From directing, to cinematography, to set design, to editing, the way a story is told can be groundbreaking and original in the realm of cinema.

Groundbreaking and original films come in many different packages, but when a film breaks the mold of movie making it earns its own special place in film history. Below will be five films that exemplify that description.

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The List of Groundbreaking Original Films

Man with a Movie Camera (1929)

Avant-Garde cinema brought about a style of filmmaking that broke conventional cinema and paved the way for experimental filmmakers. The expression of the genre of experimental films can be defined by the absence of a linear narrative. Man with a Movie Camera was one of the first films in this genre and is legendary for director Dziga Vertov’s use and invention of many cinematic techniques. Double exposure, split-screen, stop motion, slow motion, and jump cuts are a few of the techniques used in Vertov’s documentary of city life in the Soviet Union. Modern filmmaker Christopher Nolan paid tribute to Vertov in his film Inception showing how influential Man with a Movie Camera still is today. The British Film Institute puts it at number 8 on their list of The Top 100 Greatest Films of All Time.

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City Lights (1931)

Charlie Chaplin will forever be known as one of the earliest innovators and pioneers of film. His filmography is vast and contains numerous movies that have their place in film history. In Roger Ebert’s list of The 10 Most Influential Films of the 20th Century article, he lists Chaplin’s first film, Kid Auto Races at Venice, as his pick for most influential. This makes sense because it started Chaplin’s career, but for this list, we look at City Lights, arguably Chaplin’s best, for highlighting the full potential of what Chaplin could do with the medium of film without sound. The adage of “show don’t tell” is crucial to storytelling depth in filmmaking. Chaplin’s comedy and humanity shown in the film is a testament to his abilities as a filmmaker and set the bar for those that followed. City Lights is recognized by the Library of Congress for preservation in the National Film Registry.

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Rope (1948)

Rope tells the story of two men who attempt to prove they committed the perfect murder by hosting a party for associates of the victim while the body is in a chest used as a buffet table. It may not be the most well known Hitchcock film, but Rope has a place in film history for being a pioneer of the long take. A long take is a scene or sequence filmed in one shot without cuts. Long takes require immense planning and perfect execution to pull off. Alfred Hitchcock attempted to make Rope entirely in one take. Due to the technological limitations of the time (film cameras only holding a reel of film that lasts 10 minutes), Hitchcock had to find ways to hide his cuts. He hid some by moving in on the back of a character to bring the screen to black before stepping back and continuing the scene. Many films since Rope (1917, Russian Ark, Birdman, and Huger to name just a few) built on Hitchcock’s use of long takes to draw the viewer into their films.

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2001: A Space Odyssey (1968)

While Metropolis might be one of the first science-fiction films to be a groundbreaker, 2001: A Space Odyssey raised the bar for future films to come. The visual effects used in the film, along with the camera work, sets, costumes, and editing all help create a story that is still as stunning and phenomenal today as when it came out in 1968. The film depicts human evolution and tells the story of mankind pursuing the origins of a mysterious monolith found buried beneath the moon’s surface with the help of a supercomputer HAL 9000. The praise for 2001: A Space Odyssey from prominent people in film, including Wally Pfister (Cinematographer of Inception), John Gaeta (visual effect supervisor of The Matrix), and Peter Suschitzky (Cinematographer of Star Wars: Episode V – The Empire Strikes Back) recounts how influential Kubrick’s film was to cinema.

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The Blair Witch Project (1999)

The Blair Witch Project was revolutionary for independent filmmaking. Blockbusters from big-budget studios usually dominate the earnings columns for film, but this film made just shy of $250 million dollars at the worldwide box office from a budget of $60,000. Directors Daniel Myrick and Eduardo Sánchez sent out their actors with a camera to improvise a horror film in the woods. The film was one of the first to have an online marketing campaign that went viral. With monumental successes of studio films in recent years, The Blair Witch Project is a reminder that independent low budget films can triumph at the box office. It also helped popularize found footage films.

Conclusion

As stated earlier, original films come in many different packages. Original screenplays are one dynamic to groundbreaking films and another is the innovation through execution. A lot of films over the years have pushed the boundaries of what films are capable of capturing. The medium itself is capable of telling stories in a unique way that is continually being expanded upon. It is always special when a film raises the bar for future filmmakers.

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Many films can be classified as groundbreaking and original. The five films listed above represent both categories for different reasons. Whether it’s storytelling, cinematography, innovative filming techniques, or editing, each film on the list represents an aspect of filmmaking that was pushed to new heights. The list is there to highlight these films and why they influenced the movies that came after them. There are many groundbreaking films that deserve a place on this list, but the ones picked are a sample of a vast canvass of movies that fall under the category.

What are some of your favorite groundbreaking films?

By Drew Alexander Ross

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Author

  • Drew Alexander Ross writes for Hollywood Insider with the aim of bringing the reader an uplifting and insightful experience. He combines his degree in film and business to show a unique point of view on cinema and his beliefs coincide with Hollywood Insider's values of promoting positive and meaningful content. Drew enjoys reading at the pace of one to two books a week and loves movies of all genres. He has placed in several screenwriting competitions and has short stories featured in several different publications.

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