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The Hollywood Insider The Boys Review

Photo: ‘The Boys’

Amazon Prime’s hit-action drama ‘The Boys’ is a risky and unconventional take on superheroes that pays off massively for the streaming platform. Based on a relatively obscure comic book, the series examines what the world might be like if superheroes were influential political figures, over-worshipped celebrities, and profitable marketing tools for a hyper-consumerist society. In other words, the show takes place in a world almost identical to ours, the only difference being the existence of superpowered beings. The show follows the perspectives of multiple characters whose lives are in some way negatively impacted by this culture of superhero worship.

One is Annie January, AKA Starlight, played by Erin Moriarty, who is initially excited to join a team of celebrity superheroes known as The Seven, only to discover that the role is nowhere near as luxurious as she assumed. Another is Hughie Campbell, played by Jack Quaid, who undergoes a personal tragedy as a result of the collateral damage perpetuated by a high-profile superhero in The Seven. Another is William “Billy” Butcher, brilliantly played by Karl Urban, a vengeful assassin who recruits Campbell in an effort to expose The Seven as a group of criminals who abuse their power and bring down Vought, the corporation behind the superteam.  

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The series does not shy away from the outright gore and brutality that superheroes can perpetuate when fighting crime. It also tries to provide an accurate answer as to what someone with superpowers might do if they lived in our world. Sure, they might put on spandex and try to stop a bank robbery, but only for attention or if money is involved. If not, chances are they would commit crimes themselves. As the show suggests, individuals with superpowers would try to get away with things like sexual assault or murder because they believe they can. But the brilliance of the writing in this show doesn’t stop there. It also considers the upbringing of some of these characters, showing us why a person with superpowers doesn’t fully understand how to use their gifts to help people, regardless of attention and praise. It also goes without saying that this show features probably the single most sinister villain in a television show since Ramsay Bolton in ‘Game of Thrones’ in Homelander, played by Antony Starr

‘The Boys’ – Brilliant Dark Comedy

One of the many other things head writer Eric Kripke does so well in regards to extremely graphic material is knowing when to give it the serious attention it deserves and when it can be spun in an absurdist manner to create brilliant dark comedy. The banter between some of the characters who interact with each other is fantastic (a member of Butcher’s crew is often referred to as Mother’s Milk), yet it’s the show’s ability to take some of the most graphic topics like sexual assault or gory scenes of superheroes going on a rampage and provide a humorous spin on them without coming off as offensive or tasteless.  

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Another area where the show’s dark comedy shines is when we get to see how these prominent heroes in The Seven behave when they aren’t being followed around by a camera. It is in these moments where we see them scoff at the media’s various attitudes towards each of them, though obviously almost none of them would want to lose the attention they are showered with.  We also become amused by how each of these individuals reacts when the media actually does treat them with scorn, such as when a scandal of some kind breaks. Here, we laugh at the familiarity of high-profile celebrities responding to some sort of criticism yet we also can’t help but empathize with them when we see how this massive scrutiny affects them personally.  

An Accurate Take on Power and Status

As frequently mentioned throughout this review, what makes ‘The Boys’ stand out as a show is its accurate depiction of the American media apparatus and its treatment of high-profile individuals. Each superhero in The Seven has their own respective brand and image that is naturally suitable for merchandise, big-budget movies, TV deals, and even private military contracts (The Deep, a member of the team with water-based superpowers, is the poster-boy for an aquatic theme park inspired by him called MarineLand). As a result, society seems to degrade itself to idolize them for the sake of consumerism and our obsession with materialism. The cultural gatekeepers in the show attempt to make these superheroes prevalent in every aspect of American life, even in politics and international affairs. This is why it is especially easy for the audience to get behind Campbell, Butcher, and the rest of their gang in taking down The Seven and the powers behind them.  

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On the opposite end of the spectrum, the show seems to also showcase the hypocrisy of these corporate media conglomerates in how swiftly and easily they shy away from some of these superheroes when they become the subject of a scandal of some sort. It highlights how these individuals are worshiped like Gods until any mistake, weakness, or character flaw comes to light. While some of these characters definitely deserve the widespread scorn they get, we also get to see why others have made the mistakes they’ve made and what has led them to behave the way they do. It is also here where we are displeased by how society and the media treat them, given that they clearly don’t know what goes on in a person’s personal life, despite pretending they do.

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Final Thoughts

‘The Boys’ is a fresh unique spin on the comic book superhero genre that draws accurate parallels to our own toxic and superficial media culture. The first two seasons are currently streaming on Amazon Prime with a third season scheduled to premiere on June 3, 2022. Watch the trailer for Season 3 online now.

Created by: Eric Kripke

Cast: Jack Quaid, Karl Urban, Erin Moriarty, Antony Starr

By Nader Chamas

Click here to read The Hollywood Insider’s CEO Pritan Ambroase’s love letter to Cinema, TV and Media. An excerpt from the love letter: The Hollywood Insider’s CEO/editor-in-chief Pritan Ambroase affirms, We have the space and time for all your stories, no matter who/what/where you are. Media/Cinema/TV have a responsibility to better the world and The Hollywood Insider will continue to do so. Talent, diversity and authenticity matter in Cinema/TV, media and storytelling. In fact, I reckon that we should announce “talent-diversity-authenticity-storytelling-Cinema-Oscars-Academy-Awards” as synonyms of each other. We show respect to talent and stories regardless of their skin color, race, gender, sexuality, religion, nationality, etc., thus allowing authenticity into this system just by something as simple as accepting and showing respect to the human species’ factual diversity. We become greater just by respecting and appreciating talent in all its shapes, sizes, and forms. Award winners, which includes nominees, must be chosen on the greatness of their talent ALONE.

I am sure I am speaking for a multitude of Cinema lovers all over the world when I speak of the following sentiments that this medium of art has blessed me with. Cinema taught me about our world, at times in English and at times through the beautiful one-inch bar of subtitles. I learned from the stories in the global movies that we are all alike across all borders. Remember that one of the best symbols of many great civilizations and their prosperity has been the art they have left behind. This art can be in the form of paintings, sculptures, architecture, writings, inventions, etc. For our modern society, Cinema happens to be one of them. Cinema is more than just a form of entertainment, it is an integral part of society. I love the world uniting, be it for Cinema, TV. media, art, fashion, sport, etc. Please keep this going full speed.

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Author

  • Nader Chamas is an aspiring television writer who seeks to fuse thought provoking progressive ideals into the films, shows, and stories that he loves. Having graduated from Loyola Marymount University with a degree in Screenwriting, Nader seeks to use his writing to advance causes that do not get enough attention or input across mainstream media. Like most, Nader has his own share of his favorite franchises and stories across pop culture. However, he seeks to contribute timely and relevant topics into these stories as well as in his own original material. This is why Nader’s analysis of popular films and tv shows matches The Hollywood Insider’s practice of discussing entertainment from a socially cognizant and critical perspective.

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