Photo: ‘Super Pumped: The Battle for Uber’
According to Men’s Health, there are many sub-genres of the “bro.”
Based on true events, ‘Super Pumped: The Battle for Uber’ has a provocative way of dramatizing the toxicity that seemingly reverberates through Silicon Valley. The series comes from the imaginative minds of Brian Koppelman, Beth Schacter, and David Levien. The brains behind Showtime’s ‘Billions.’ The creative trio wrote, directed, and executive produced ‘Super Pumped: The Battle for Uber’ to bring a wildly chaotic and true story to life. The show narrows its focus to Uber’s founder Travis Kalanick and his strengthening desire for power and fame. Considered as one of the most notable tech bros of blossoming out of Silicone Valley, Joseph Gordon-Levitt spearheads the show by playing Kalanick himself, a loose-cannon who thrives off of toxic work environments and an unquenchable thirst for worship.
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“Are you an a**hole?” is our very first introduction to Gordon-Levitt as Travis Kalanick, who starts off every interview with this very question. Clearly, Kalanick is a far cry from a pleasant CEO who nurtures a comforting and positive professional environment. The name of the show hints toward a very pro-bro vibe that encompasses the founder’s way of channeling manic energy into blatant toxicity. Evidently, Kalanick is cognizant of how to ruffle as many feathers as possible. For fans of Showtime’s ‘Billions,’ the series is very much reminiscent of men high on power and actively flaunt their privilege with every opportunity thrown at them.
What Makes Travis Kalanick So Fascinating as a Character?
Firstly, it’s a story that features the antagonist as its main character. What separates Kalanick from other egotistical maniacs? One obvious trait is that he isn’t plagued by the perceptions of others who take issues with his questionable character. Episode one of ‘Super Pumped: The Battle for Uber’ paints a very vivid portrait of a man who thrives off high-stakes drama and intensifies friction amongst others. Honestly, it makes for great television but unbearable to imagine as a superior. For some, this attribute may seem refreshing. For others, it could be a preliminary glimpse into his inevitable downfall as a tech titan.
Pop-culture enthusiasts may remember Travis Kalanick from his appearance at the Met Gala six years ago. The theme was “Manus X Machina” and naturally, all the tech bros from Silicon Valley emerged alongside celebrities and influencers. That very well could’ve been a depiction of Kalanick at his peak, making it to the illustrious carpet adorned by the flashing lights of cameras capturing his grin that makes a frustrating appearance on the show.
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Before the fame, Kalanick reserved his seat among tech giants when he dramatically transformed the world of transportation with an app that connected pedestrians with paid drivers. This idea cashed in billions of dollars that bought Kalanick a seat with big names in tech. Uber carved a niche within the realm of transportation and became a global norm amongst smartphone users. In the face of all his grand achievements, the show is a humbling reminder that Kalanick is not someone to admire. Rather, it’s a narrative that draws on a narcissistic ego that exploits and abuses his privilege with self-serving gratification.
Why is Quentin Tarantino Narrating the Uber Show?
In some odd cinematic universe, it felt completely fitting to have a visionary filmmaker telling the story of a tumultuous tech giant. It could very well be that like Kalanick, Quentin Tarantino strove to disrupt the world of cinema. In an interview with Entertainment Weekly, Koppelman explained their interest in Tarantino, “When you talk about using film techniques, it was Quentin who broke these rules of filmmaking in America.” The show’s co-runner revealed that the show was driven by the idea of disruption. “One of the things we wanted to talk about in the show is disruption and the cost of disruption,” Beth Schacter told EW. “These are people that look at the world and see the same world you and I do, but then see something else they can disrupt… And the idea of this voiceover opened up so much in terms of what the show could do and what the show could make the audience feel.”
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Film buffs may feel comforted knowing that Tarantino joined his ‘Pulp Fiction’ alumni, Uma Thurman who plays Arianna Huffington, a resumed ally who eventually takes a seat at Uber’s board. “Let me English this s— up for those of you too trusting of a smiling face to get the actual f—in’ drift,” commentary provided in classic Tarantino fashion, the dialogue of the voice-overs are calculatingly blunt and instill anecdotes of knowledge to digest the full scope of Kalanick’s contentious world.
Who is Susan Fowler and Why is She Important?
In 2017, Susan Fowler, Uber’s site reliability engineer, decided to go public and blog her horrific experiences working for the company. “Reflecting On One Very, Very Strange Year At Uber” is a devastating tale of a woman harassed and intimidated into silence by rampant gaslighting. Following her departure from the company, Fowler wrote, “On my first official day rotating on the team, my new manager sent me a string of messages over company chat. He was in an open relationship, he said, and his girlfriend was having an easy time finding new partners but he wasn’t,” she explains. Fowlers goes further, “He was trying to stay out of trouble at work, he said, but he couldn’t help getting in trouble, because he was looking for women to have sex with. It was clear that he was trying to get me to have sex with him,” she vehemently reflects.
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Uber’s response was unsurprisingly underwhelming, “Upper management told me that he ‘was a high performer’ (i.e. had stellar performance reviews from his superiors) and they wouldn’t feel comfortable punishing him for what was probably just an innocent mistake on his part,” Fowler shares.
And the harassment continued with Fowler urgently seeking a reasonable course of action that would be shut down by sexism permeating throughout the company. Fowler shared examples of her distressing instances with her superiors, “… there was the organizational chaos, and there was also the sexism within the organization. When I asked our director at an org all-hands about what was being done about the dwindling numbers of women in the org compared to the rest of the company, his reply was, in a nutshell, that the women of Uber just needed to step up and be better engineers.”
Cast: Joseph Gordon-Levitt, Babak Tafti, Kyle Chandler, Uma Thurman, Austin Biché
Creators: Brian Koppelman, Beth Schacter, and David Levien
Director(s): Brian Koppelman, Beth Schacter, and David Levien
By Gina Michele Yaniz
Click here to read The Hollywood Insider’s CEO Pritan Ambroase’s love letter to Cinema, TV and Media. An excerpt from the love letter: The Hollywood Insider’s CEO/editor-in-chief Pritan Ambroase affirms, “We have the space and time for all your stories, no matter who/what/where you are. Media/Cinema/TV have a responsibility to better the world and The Hollywood Insider will continue to do so. Talent, diversity and authenticity matter in Cinema/TV, media and storytelling. In fact, I reckon that we should announce “talent-diversity-authenticity-storytelling-Cinema-Oscars-Academy-Awards” as synonyms of each other. We show respect to talent and stories regardless of their skin color, race, gender, sexuality, religion, nationality, etc., thus allowing authenticity into this system just by something as simple as accepting and showing respect to the human species’ factual diversity. We become greater just by respecting and appreciating talent in all its shapes, sizes, and forms. Award winners, which includes nominees, must be chosen on the greatness of their talent ALONE.
I am sure I am speaking for a multitude of Cinema lovers all over the world when I speak of the following sentiments that this medium of art has blessed me with. Cinema taught me about our world, at times in English and at times through the beautiful one-inch bar of subtitles. I learned from the stories in the global movies that we are all alike across all borders. Remember that one of the best symbols of many great civilizations and their prosperity has been the art they have left behind. This art can be in the form of paintings, sculptures, architecture, writings, inventions, etc. For our modern society, Cinema happens to be one of them. Cinema is more than just a form of entertainment, it is an integral part of society. I love the world uniting, be it for Cinema, TV. media, art, fashion, sport, etc. Please keep this going full speed.”
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Gina Michele Yaniz is a writer and digital media content creator with a deep love for storytelling. Charmed by the notable influence of the entertainment industry, Gina is passionate about uplifting the voices of artists and celebrating powerful material. She likes to embody the philosophy of writing through a non-judgmental and a genuine perspective while expanding the perception of film industry. Along with Hollywood Insider, Gina values the responsibility the media holds and wishes to use her writing to provide meaningful content. During her free time, Gina loves to watch period pieces, stand-up comedy, and indulges on her avid interest for reading articles on self-care.